Misty Gamble’s work is inspired by the human figure and its infinite capacity for communication. This makes sense given that, as a child, Misty was immersed in her father’s world of puppetry and the performing arts. Traveling to many parts of the world as a young girl and later as an adult has also made an indelible impact on her life and work. In 1998, Misty was invited to be the first American to perform in Iran (since 1979) at the 7th International Puppet Festival in Tehran. Gamble’s current work, life-size ceramic figurative sculptures and installations of multiple figurative fragments, focuses attention on issues surrounding femininity and challenges conventional standards of morality, normalcy and propriety.


Misty is the recipient of a number of honors including awards from the Martin Wong Foundation, National Conference for the Education of Ceramic Arts and the Ellice T. Johnston Foundation. In 2008, she received an artist grant from the Ruth Chenven Foundation and was honored as a Ceramics Monthly Emerging Artist. Misty has been awarded long-term residencies at Watershed Center for the Ceramic Arts, where she earned the Howard Kottler Fellowship, and the Armory Art Center in West Palm Beach, Florida. Additionally, Gamble was invited to lead an Artist-Invite Artist Residency at Watershed and was an invited artist at Project Art in Cummington, Massachusetts. In 2014, Gamble was an invited artist at C.R.E.T.A Rome and has continued to study or teach in Italy since 2013. Gamble is the co-founder of Studio Nong: International Sculpture collective and residency program. Studio Nong travels to China (2013,2016) and Europe to accomplish residencies that focus on clay figurative sculpture.


Gamble is an Assistant Professor in the School of Foundation at the Kansas City Art Institute. Before receiving her MFA from San Francisco State University in the visual arts, she worked as an agent, publicist, and event producer in music and the performing arts. She hsa been widely published and her work is exhibited both nationally and internationally.




photo credit: Cameron Gee